Murder at the Savoy: A Martin Beck Police Mystery (6) (Martin Beck Police Mystery Series)

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Press:Vintage Vintage Crime/Black Lizard (June 2, 2009)
Publication Date:2009-06-02
Author Name:Per Wahloo,Maj Sjowall


The shocking sixth novel in the Martin Beck mystery series by the internationally  renowned crime writing duo by Maj Sjöwall and Per Wahlöö, finds Beck investigating  a brutal assassination. 
With an introduction by Arne Dahl. When Viktor Palmgren, a powerful Swedish industrialist is shot during his after-dinner speech in the luxurious Hotel Savoy, it sends a shiver down the spine of the international money markets and terrifies the tiny town of Malmo.
No one in the restaurant can identify the gunman, and local police are sheepishly baffled.
That's when Beck takes over the scene and quickly picks through Palmgren's background.
What he finds is a web of vice so despicable that it's hard for him to imagine who wouldn't want Palmgren dead, but that doesn't stop him and his team of dedicated detectives from tackling one of their most intriguing cases yet.

Language Notes

Text: English, Swedish (translation)

--This text refers to an out of print or unavailable edition of this title.

About the Author

Maj Sjöwall and Per Wahlöö, her husband and coauthor, wrote ten Martin Beck mysteries. 
They plotted and researched each book together then wrote alternate chapters.
The books were written over a ten year period and carefully planned to allow for gradual character development and evolving social commentary as the series continued. Mr Wahloo, who died in 1975, was a reporter for several Swedish newspapers and magazines and wrote numerous radio and television plays, film scripts, short stories, and novels.
Maj Sjöwall is also a poet.

Excerpt. © Reprinted by permission. All rights reserved.

1The day was hot and stifling, without a breath of air. 
There had been a haze quivering in the atmosphere, but now the sky was high and clear, its colors shifting from rose to dusky blue.
The sun's red disk would soon disappear beyond the island of Ven.
The evening breeze, which was already rippling the smooth mirror of the Sound, brought weak puffs of agreeable freshness to the streets of Malmo.
With the gentle wind came fumes of the rotting garbage and seaweed that had been washed up on Ribersborg Beach and in through the mouth of the harbor into the canals.The city doesn't resemble the rest of Sweden to a very great degree, largely because of its location.
Malmo is closer to Rome than to the midnight sun, and the lights of the Danish coast twinkle along the horizon.
And even if many winters are slushy and windblown, summers are just as often long and warm, filled with the song of the nightingale and scents from the lush vegetation of the expansive parks.Which is exactly the way it was that fair summer evening early in July 1969.
It was also quiet, calm and quite deserted.
The tourists weren't noticeable to any extent--they hardly ever are.
As for the roaming, unwashed hash-smokers, only the first bands had arrived, and not so many more would show up either, since most of them never get past Copenhagen.It was rather quiet even in the big hotel across from the railroad station near the harbor.
A few foreign businessmen were deliberating over their reservations at the reception desk.
The checkroom attendant was reading one of the classics undisturbed in the depths of the cloakroom.
The dimly lit bar contained only a couple of regular customers speaking in low voices and a bartender in a snow-white jacket.In the large eighteenth-century dining room to the right of the lobby there wasn't much going on either, even if it was somewhat livelier.
A few tables were occupied, mostly by people who were sitting alone.
The pianist was taking a break.
In front of the swinging doors leading to the kitchen stood a waiter, hands behind his back, looking contemplatively out of the big open windows, probably lost in thoughts of the sand beaches not too far away.A dinner party of seven, a well dressed and solemn gathering of varying sexes and ages, was sitting in the back of the dining room.
Their table was cluttered with glasses and fancy dishes, surrounded by champagne coolers.
The restaurant personnel had discreetly withdrawn, for the host had just risen to speak.He was a tall man in late middle age, with a dark-blue shantung suit, iron gray hair and a deep suntan.
He spoke calmly and skillfully, modulating his voice in subtly humorous phrases.
The other six at the table sat watching him quietly; only one of them was smoking.Through the open windows came the sounds of passing cars, trains switching tracks at the station across the canal, a switchyard that is the largest in northern Europe, the abrupt hoarse tooting of a boat from Copenhagen, and somewhere on the bank of the canal a girl giggling.This was the scene that soft warm Wednesday in July, at approximately eight-thirty in the evening.
It's essential to use the expression "approximately," for no one ever managed to pin down the exact time when it happened.
On the other hand, what did happen is quite easy to describe.A man came in through the main entrance, cast a glance at the reception desk with the foreign businessmen and the uniformed attendant, passed the checkroom and the long narrow lobby outside of the bar, and walked into the dining room calmly and resolutely, with steps that weren't notably rapid.
There was nothing remarkable about this man so far.
No one looked at him; he did not bother to look around either.He passed the Hammond organ, the grand piano and the buffet with its array of glistening delicacies and continued past the two large pillars supporting the ceiling.
With the same resolve he walked directly toward the party in the corner, where the host stood talking with his back turned to him.
When the man was about five steps away, he thrust his right hand inside his suit coat.
One of the women at the table looked at him, and the speaker half turned his head to see what was distracting her.
He gave the approaching man a quick, indifferent glance, and started to turn back toward his guests, without a second's interruption in the comments he was making.
At the same instant the newcomer pulled out a steel-blue object with a fluted butt and a long barrel, aimed carefully and shot the speaker in the head.
The report was not shattering.
It sounded more like the peaceful pop of a rifle in a shooting gallery at a fair.The bullet struck the speaker just behind the left ear, and he fell forward onto the table, his left cheek in the crenelated mashed potatoes around an exquisite fish casserole a la Frans Suell.Sticking the weapon into his pocket, the gunman turned sharply to the right, walked the few steps to the nearest open window, placed his left foot on the sill, swung himself over the low window, stepped into the flower box outside, hopped down onto the sidewalk and disappeared.At the table three windows away a diner in his fifties became rigid and stared with amazement, a glass of whisky halfway to his mouth.
In front of him was a book that he had been pretending to read.The man with the suntan and the dark-blue shantung suit was not dead.Stirring, he said, "Ow! It hurts."Dead people don't usually complain.
Besides, it didn't even look as if he were bleeding.2Per Mansson was sitting in his bachelor den on Regementsgatan, talking to his wife on the telephone.
He was a Detective Inspector with the Malmo police force, and although he was married, he lived as a bachelor five days out of the week.
For more than ten years he'd spent every free weekend with his wife--an arrangement which had so far satisfied both of them.He cradled the receiver with his left shoulder while he mixed a Gripenberger with his right hand.
It was his favorite drink, consisting simply of a jigger of gin, crushed ice and grape soda in a big tumbler.His wife, who'd been to the movies, was telling him the plot of Gone With the Wind.It took some time, but Mansson listened patiently, because as soon as she had finished the story he planned to ward off their usual weekend get-together with the excuse that he had to work.
Which was a lie.It was twenty minutes after nine in the evening.Mansson was sweating in spite of his light clothing--a fishnet undershirt and checkered shorts.
He had closed the balcony door at the beginning of the conversation so that he wouldn't be disturbed by the rumble of the traffic from the street.
Although the sun had long ago sunk behind the roofs of the buildings across the street, it was very warm in the room.He stirred his drink with a fork, which he was embarrassed to admit had been either stolen or taken by accident from a restaurant called "Oversten." Mansson wondered if a person could take a fork by accident and said, "Yes, I see.
It was Leslie Howard then who .
No, huh? Clark Gable? Uh-hmm .
."Five minutes later she'd got to the end.
He delivered his white lie and hung up.The telephone rang.
Mansson didn't answer immediately.
He was off work and wanted to keep it that way.
He slowly drained his Gripenberger.
Watching the evening sky darken, he lifted the receiver and answered, "Mansson.""This is Nilsson.
That was a helluva long conversation.
I've been trying to get you for half an hour."Nilsson was an Assistant Detective, on duty that night at the central police station on Davidshall Square.
Mansson sighed."Well?" he said.
"What's up?""A man has been shot in the dining room at the Savoy.
I'm afraid I'm going to have to ask you to get over there."The glass was empty but still cold.
Mansson picked it up and rolled it against his forehead with the palm of his hand."Is he dead?" he asked."Don't know," said Nilsson."Can't you send Skacke?""He's off.
Impossible to get hold of.
I'll keep looking for him.
Backlund is there now, but you probably ought to .
."Mansson gave a start and put down the glass."Backlund? Okay, I'll leave right away," he said.He promptly called a taxi, then put the receiver on the table.
While dressing, he listened to the rasping voice from the receiver mechanically repeating the words "Taxi Central, one moment please" until his call was finally put through to the operator.Outside the Savoy Hotel several police cars were carelessly parked, and two patrolmen were blocking the entrance from a growing crowd of curious evening strollers jammed together at the bottom of the stairs.Mansson took in the scene as he paid for the cab, put the receipt in his pocket, observed that one of the patrolmen was being rather brusque and reflected that it wouldn't be long before Malmo's police force had as bad a reputation as their colleagues in Stockholm.He said nothing, however, only nodded as he walked past the uniformed patrolmen into the lobby.
It was noisy there now.
The hotel's entire staff had gathered and were chatting with each other and with some customers streaming out of the grill.
Several policemen completed the picture.
They seemed at a loss, unfamiliar with the surroundings.
Evidently no one had told them how to act or what to expect.Mansson was a big man in his fifties.
He was dressed casually in dacron pants and sandals, with his shirt out.
He took a toothpick from his breast pocket, pulled off the paper wrapper and stuck it in his mouth.
As he chewed, he methodically took stock of the situation.
The toothpick was American, menthol-flavored; he'd picked it up on the train ferry Malmohus, which provides such things for its passengers.Standing by the door leading to the large dining room was a patrolman named Elofsson, whom Mansson thought was a little smarter than the others.He walked over to him and said, "What's the story?""Looks like someone's been shot.""Have you had any instructions?""Not a word.""What's Backlund doing?""Questioning witnesses.""Where's the man who was shot?""At the hospital, I guess."Elofsson turned slightly red.
Then he said, "The ambulance got here before the police, obviously."Mansson sighed and went into the dining room.Backlund was standing by the table with the gleaming silver tureens questioning a waiter.
He was an elderly man with glasses and ordinary features.
Somehow he'd managed to become a First Assistant Detective.
He was holding his notebook open in his hand, busily taking notes.
Mansson stopped within hearing distance, but said nothing."And at what time did this happen?""Uh, about eight-thirty.""About?""Well, I don't know for sure.""In other words, you don't know what time it was.""No, I don't.""Rather odd," said Backlund."What?""I said, it seems rather odd.
You have a wrist watch, don't you?""Of course.""And there is a clock on the wall over there, if I'm not mistaken.""Yes, but .
.""But what?""Both of them are wrong.
Anyway, I didn't think of looking at the clock."Backlund appeared overwhelmed by the response.
He put down the pad and pencil and began to clean his glasses.
He took a deep breath, grabbed the notebook and started writing again."Even though you had two clocks at your disposal, you still didn't know what time it was.""Well, kind of.""We've got no use for 'kind of' answers.""But the clocks aren't synchronized.
Mine's fast, and the clock over there's slow."Backlund consulted his Ultratron.
"Odd," he said, writing something down.Mansson wondered what."So, you were standing here when the criminal walked by?""Yes.""Can you give me as full a description as possible?""I didn't really get a good look at him.""You didn't see the gunman?" said Backlund, startled."Well, yes, when he climbed out the window.""What did he look like?""I don't know.
It was pretty far away, and that table was hidden by the pillar.""You mean you don't know what he looked like?""Not really.""How was he dressed then?""In a brown sport coat, I think.""Think.""Yeah.
I only saw him for a second.""What else did he have on? Try pants, for example.""Sure, he had pants on.""Are you certain?""Well, it sure would have seemed a little .
like you said, odd, otherwise.
If he hadn't had any pants on, I mean."Backlund wrote furiously.
Mansson started chewing on the other end of the toothpick and quietly said, "Say, Backlund?"The other man turned around and glared."I'm in the middle of questioning an important witness .
."He broke off and said sullenly, "Oh, so it's you.""What's going on?""A man was shot in here," said Backlund in great earnest.
"And you know who?""No.""Viktor Palmgren.
The corporation president." Backlund laid heavy stress on the label."Oh, him," said Mansson.
And thought, this'll be a helluva time.
Aloud he said, "It happened over an hour ago and the gunman climbed out the window and got away.""It may look that way."Backlund never took anything for granted."Why are there six police cars outside?""I had them close off the area.""The whole block?""The scene of the crime," said Backlund."Get rid of everybody in uniform," Mansson said wearily.
"It can't be very pleasant for the hotel to have police swarming around in the foyer and out on the street.
Besides, they must be needed more some place else.
Then try to get up a description.
There has to be a better witness than this guy.""Naturally, we'll question everybody," said Backlund."All in due time," said Mansson.
"But don't detain anyone who doesn't have something crucial to say.
Just take names and addresses."Backlund looked at him suspiciously and said, "What are you planning to do?""Make some telephone calls," said Mansson."Who to?""The newspapers, to find out what's happened.""Was that supposed to be a joke?" said Backlund coldly."Right," said Mansson absentmindedly and looked around.Journalists and photographers were roaming around in the dining room.
Some of them must have been there long before the police, and one or more had been on the spot in the grill or the bar when the famous shot was fired.
If Mansson's suspicions proved correct."But the manual requires .
," Backlund began.

From AudioFile

This Swedish whodunit, first published in 1971, includes a useful introduction that explains the place of the Martin Beck series among police procedurals. 
Here, Beck is called in when Victor Palmgren, a most unpleasant gangster capitalist, is shot while making a speech at the posh Savoy Hotel in Malmo and falls face down into his mashed potatoes.
The killer escapes out a window, but everyone else in the large and varied cast is nicely captured by Tom Weiner's able and often wonderfully witty performance.
Especially when he creates dialogue between two characters with utterly different pitches and timbres, you'll be tempted to laugh with pleasure.
One cares less about who actually "dunit" than about the characters, which makes audio the perfect way to enjoy this book.
© AudioFile 2009, Portland, Maine

--This text refers to an out of print or unavailable edition of this title.


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Comment List (Total:15)

  •     Very good book
  •     Maj Sjowall is an important writer for any mystery addict. It's my understanding that his police procedurals helped to set the stage for the popularity of that form. Historically, the novels are set in Sweden in the 60s at a time when that country was beginning to undergo dramatic socioeconomic changes. As a reader whose grandparents came from that area of the world (Norway, actually) I found the historical references fascinating, particularly the socioeconomic impact of refugees moving into the country and the changes taking place as the country was slowly becoming what the author frequently refers to as a "welfare state." The author's reflections on change, particularly from the viewpoint of a cop with a jaded but still compassionate view of the problems of poverty, industrialization and capitalism tells us much about the global problems we face today. While there is this background "mirror" of reflections on society's challenges, the story is strong, moves well and is interesting, if not as compelling as some of his stories. This is probably not Sjowall's best plotted novel but still a good read, especially for anyone interested in crime literature from Sweden.
  •     All Martin Beck books in this series are very good reads
  •     Thank you very much.
  •     Good story as a mystery, and as social commentary.
  •     Maj Sjowall at her best.
  •     Interresting reading
  •     Good dialog, credible characters, adequate subplots but a little weaker ending than usual for these authors.
  •     This novel, the sixth in the series, seems to have more red herrings than the previous 5 put together. The suspect isn't found until the last ten pages or so and then practically by accident. So you have to ask yourself - why am I still turning the pages only to discover that each detective winds up in a blind alley? And the answer is - it's the writing, stupid. It is so engaging, it flows so effortlessly, spilling over interesting characters and situations that the reader has to go on even if he's no closer to the murderer on page 100 than he was on page 1. This may be the only series of detective novels in which the reader doesn't care whodunit. You want the book to continue even as Martin Beck is traveling back to his lonely apartment, which means you'll have to read the next one in the series - and the one after that.
  •     Always the best
  •     Good book
  •     Victor Palmgren, a businessman worth millions, is making a speech to a few associates in the dining room of the Savoy in Malmö. Suddenly a man appears, shoots Palmgren in the back of the head and disappears out an open window.Palmgren is a heartless money-making machine, and no one mourns him.Dim-witted policemen in both Malmö and Stockholm get the investigation off to a bad start. Superintendent Martin Beck of the national homicide squad is sent to Malmö to take over. He forms a pleasant partnership with Månsson, the head cop in Malmö whose adventures in a previous book I found quite delightful.The higher-ups want a quick solution because the killer may have a political agenda. Palmgren was selling weapons illegally to questionable countries.Sjöwall and Wahlöö also have a political agenda. They portray a society that's breeding poverty, joblessness, crime, drug addiction - and supporting fat cat profiteers like Palmgren. It's interesting to see how Sjöwall and Wahlöö influenced future generations of Swedish crime writers, whose detectives are invariably depressed by the social ills all around them.This is not my favorite Martin Beck mystery, but I'm glad I read it, if only to keep up with the characters. Now that I'm familiar with Beck and his associates, I always enjoy watching them work - and don't want to miss any happenings in their personal lives.I learned in the introduction that Sjöwall and Wahlöö called their ten Martin Beck novels The Story of Crime. Reading the books in order, says Arne Dahl, is the best way to appreciate the grand design. I'd recommend reading this one only if you're reading them all, as I am.
  •     This is one of the series of Swedish police detective novels featuring lead investigator Martin Beck and his colleagues in theStockhom--later the National-- Homicide Squad. They begin in the mid-1960's and go to about 1975. Thesefictional detectives not only deal with the grit and miasma of urban police work, they also see the massive socialchanges in what the two authors themselves describe as "the welfare state" of Sweden in that era. Some of these novelsmirror incidents which happened in the USA or Britain during this time, but there is also a definite Swedish feel and backgroundto these stories, and a nostalgic longing for the unique architecture of old Stockholm, much of which was torn down in the '60's tofaciltate modern urban growth.
  •     Each book in the Martin Beck series gets better! Characters of the police investigators become more developed. Plots and politic are steeped in place and time which is very interesting to absorb along with the action and dialogue. I am really enjoying the series. I would recommend to any lover of Henning Mankell's Wallander series. It is most satisfying to understand the influence of Sjowall and Wahloo on Mankell and navigate the beginnings of "police protocol" in contemporary literature and production of all kinds. Truly a remarkable series.
  •     Try to read the Martin beck mysteries in order. Starting with Roseann. How Socialism and Pc can ruin a country.

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