Filming the Gods: Religion and Indian Cinema (Religion and Media)

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Press: Routledge; 1 edition (July 26, 2006)
Publication Date:2006
Author Name:Dwyer, Rachel
Edition:1st Edition


Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. 
Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas.
Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre.
Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices.
It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves.
As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.

About the Author

Rachel Dwyer is a Reader in Indian Studies and Cinema at the School of Oriental and African Studies (SOAS), University of London. 
Her books include: Pleasure and the Nation: The History, Politics and Consumption of Popular Culture in India (2003); Cinema India: The Visual Culture of Hindi Film (2002); Yash Chopra (BFI World Directors Series, 2002); and All You Want is Money, All You Need is Love: Sexuality and Romance in Modern India (2000).


Science & Math,Earth Sciences,Geography,Regional,Textbooks,Humanities,Performing Arts,Film & Television,Religion & Spirituality,Hinduism

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Comment List (Total:1)

  •     This is an academic analysis of religious Indian film. People not interested in a scholarly approach will probably not enjoy it as it is not an easy read.

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